instal Dr. Professor Scientist's Weapons Testing Facility

In 2015 he was keynote speaker at Ghent University's conference 'Does It Matter: Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts' and the 'Digital Echoes' symposium at Coventry University. He was the keynote speaker at the Irish Museum of Modern Art's symposium on the artist John Gerrard. In 2016 he keynoted at the 'Coimbra International Conference On the Virtual' at University of Coimbra, Department of Philosophy, Portugal. In 2017 he was keynote speaker at the TaPRA (Theatre and Performance Research Association) Conference at Birkbeck University. His theoretical writings on performance and techno-culture are published in 'Theatre Journal', 'Theatre Research Int'l', 'Journal of Dramatic Theory and Criticism', and 'TheatreForum' among others. His essay 'The Object of Desire of the Machine: the biopolitics of the posthuman' is anthologized in 'Resisting Biopolitics: philosophical, political and performative strategies' edited by Wilmer and Zukauskaite (Routledge, 2015). He edited with Fintan Walsh 'Performance, Identity and the Neo-political Subject' (Routledge, 2014). He co-edited 'The Performing Subject in the Space of Technology: through the virtual towards the real' (Palgrave, 2015) which includes his chapter, 'The Right to be Forgotten and the Image-Crimes of Digital Culture'. Recent publications include the essay 'Postdigital Performance' in 'Theatre Journal' (2017). He is author of 'Theatre and Performance in Digital Culture: from simulation to embeddedness' (Routledge 2006). He is Professor in Drama, College Fellow, and Director of the Arts Technology Research Laboratory. Matthew Causey is currently Head of School of Creative Arts at TCD.

Instal Dr. Professor Scientist's Weapons Testing Facility